Page 763 - ISC PROCEEDINGS 21.4

[3]. Bonel, E., Capestro, M., & Di Maria, E. (2023). How COVID-19 impacted cultural
consumption: An explorative analysis of Gen Z’s digital museum experiences. Italian
Journal of Marketing, 2023(2), 135–160.
[4]. Bourdieu, P. (2019). Distinction: A social critique of the judgement of taste. In
Social stratification, class, race, and gender in sociological perspective (2nd ed., pp. 499–
525). Routledge.
[5]. Bowen, G. A. (2009). Document analysis as a qualitative research method.
Qualitative Research Journal, 9(2), 27–40.
[6]. Derda, I., & Predescu, D. (2025). Towards human-centric AI in museums:
Practitioners’ perspectives and technology acceptance of visitor-centered AI for value (co-)
creation. Museum Management and Curatorship, 40(4), 532–554.
[7]. Djafarova, E., & Bowes, T. (2021). “Instagram made me buy it”: Generation Z
impulse purchases in fashion industry. Journal of Retailing and Consumer Services, 59,
102345.
[8]. Elgammal, I., Ferretti, M., Risitano, M., & Sorrentino, A. (2020). Does digital
technology improve the visitor experience? A comparative study in the museum context.
International Journal of Tourism Policy, 10(1), 47–67.
[9]. Falk, J. H., & Dierking, L. D. (2016). The museum experience revisited. Routledge.
[10]. Kamariotou, V., Kamariotou, M., & Kitsios, F. (2021). Strategic planning for
virtual exhibitions and visitors’ experience: A multidisciplinary approach for museums in
the digital age. Digital Applications in Archaeology and Cultural Heritage, 21, e00183.
[11]. Lei, L. (2025). The artificial intelligence technology for immersion experience
and space design in museum exhibition. Scientific Reports, 15(1), 27317.
[12]. Lukes, L. A., Sultana, N., Solen, M., & Munzner, T. (2025). Visitor engagement
with a digital science museum exhibit about Earth’s history and the geologic time scale:
Implications for research methods and exhibit design. Journal of Geoscience Education, 1–
12.
[13]. Parry, R. (2013). Museums in a digital age. Routledge.
[14]. Pine, B., & Gilmore, J. H. (1999). The experience economy: Work is theatre and
every business a stage. Harvard Business School Press.
[15]. Schou, M. M., & Løvlie, A. S. (2020). The Diary of Niels: Affective engagement
through tangible interaction with museum artifacts. In Euro-Mediterranean Conference.
[16]. Serravalle, F., Ferraris, A., Vrontis, D., Thrassou, A., & Christofi, M. (2019).
Augmented reality in the tourism industry: A multi-stakeholder analysis of museums.
Tourism Management Perspectives, 32, 100549.
[17]. Turner, A. (2015). Generation Z: Technology and social interest. The Journal of
Individual Psychology, 71(2), 103–113.
[18]. Vikmane, E., Tjarve, B., & Cērpa, L. K. (2025). The participatory engagement of
Generation Z in museums: A case study from Latvia. Museum International, 77(1–2), 14–
27.
[19]. Yap, J. Q. H., Kamble, Z., Kuah, A. T., & Tolkach, D. (2024). The impact of
digitalisation and digitisation in museums on memory-making. Current Issues in Tourism,
27(16), 2538–2560.
[20]. Yates, M. F., & Løvlie, A. S. (2024). Subtle sound design: Designing for
experience blend in a historic house museum. ACM Journal on Computing and Cultural
Heritage, 17(1), 1–15.

762